Warli tribal art from India’s Maharashtra—white stick-figure paintings on mud walls—now graces city gallery canvases and fashion prints, often contextualized with modern social themes (education, women’s rights) by Warli artists like Jivya Soma Mashe and his successors. This neo-Warli evolution is an inclusive artistic bridge, bringing the voice of a marginalized community to global audiences and validating folk style as fine art without losing its narrative soul.